In this episode we're talking with playwright Anne Marie Cammarato, who was the inaugural recipient of our brand new Emerging Women's Playwriting Fellowship and the author of the play HAZEL, which we are producing in a world premiere February 2022.
In this episode we're talking with playwright Anne Marie Cammarato, who was the inaugural recipient of our brand new Emerging Women's Playwriting Fellowship and the author of the play HAZEL, which we are producing in a world premiere February 2022.
For more information about Anne Marie and the fellowship, check out this story: https://news.olemiss.edu/inaugural-playwriting-resident-work-summer-um/
For information about what inspired the playwright to create this new climate crisis drama, read here about Tangier Island, which Anne Marie mentions during our interview: https://www.nationalgeographic.com/environment/article/climate-change-rising-seas-tangier-island-chesapeake-book-talk
For tickets to see HAZEL, which runs February 25 - March 6, visit the UM Box Office here: https://olemissboxoffice.com/ordering-tickets/ or by calling (662) 915-7411
From the Department of Theater and Film at the University of Mississippi.
This is Stage & Screen.
Katherine Stewart
Hi everyone and welcome back to Stage & Screen.
Katherine Stewart
I'm your host, Kathryn Stewart and I am super excited to introduce you to today's guest who is the playwright Anne-Marie Cammarato. Anne Marie is
Katherine Stewart
The author of Hazel, which we are producing in a world premiere opening February 25th and running through March 6th and meet auditory.
Katherine Stewart
Annemarie was the inaugural recipient of our brand new emerging Women Playwriting Fellowship and Hazel was developed largely during her month long stay in Oxford in the summer of 2019.
Katherine Stewart
We talked about that and the play itself and many other things.
Katherine Stewart
It was a fantastic conversation, so stick around for Anne Marie Cammarato.
Katherine Stewart
Hi, good morning Anne Marie welcome.
Katherine Stewart
Thank you Catherine.
Katherine Stewart
How are you doing today?
Katherine Stewart
It's so good to see.
Anne Marie Cammarato
You it's great to see you.
Anne Marie Cammarato
I'm great.
Katherine Stewart
Excellent, well, I really appreciate you taking the time.
Katherine Stewart
I'm looking forward to talking with you about this play.
Katherine Stewart
I've read it many Times Now and I'm super excited that it's.
Katherine Stewart
Finally, going to be produced.
Katherine Stewart
So yeah, just to get us started.
Katherine Stewart
Could you tell us a little bit about yourself and your background in your work?
Anne Marie Cammarato
Sure, so I am a playwright obviously, and I also am a professional director.
Anne Marie Cammarato
I work mostly in regional theater across.
Anne Marie Cammarato
America, and then I'm also a teacher.
Anne Marie Cammarato
I teach playwriting at the University of Pennsylvania.
Anne Marie Cammarato
I lived just outside of Philadelphia and I've been working in professional theatre for about 25 years.
Anne Marie Cammarato
So and at one point in my career I was an artistic director.
Anne Marie Cammarato
Uhm, now I'm a teacher and a freelancer and and a mom.
Katherine Stewart
Wonderful so you came to Oxford in the summer of 2019 as the inaugural recipient of our Emerging Women Playwriting Residency.
Katherine Stewart
We will definitely talk more about that later, but the play that came out of that is Hazel, which we are going to do a world premiere of.
Katherine Stewart
Here in a.
Katherine Stewart
Few weeks can you give us a summary of that play?
Anne Marie Cammarato
I can try.
Anne Marie Cammarato
Yeah, so the play takes place in the midst of.
Anne Marie Cammarato
What one could call a climate crisis?
Anne Marie Cammarato
Originally, when I wrote it and I could talk more about this later.
Anne Marie Cammarato
I imagined that it would take place in the future, but as I.
Anne Marie Cammarato
Worked on it for the past few years I've come.
Anne Marie Cammarato
To realize that.
Anne Marie Cammarato
Actually, it's very much in the present.
Anne Marie Cammarato
But it takes place in an area that is becoming more and more vulnerable to climate, and in fact it's it's becoming flooded and most of the residents of that community have left.
Anne Marie Cammarato
But there's one family that has decided to stay and.
Anne Marie Cammarato
The play really explores kind of how they deal with.
Anne Marie Cammarato
Their own personal crises in the midst of a larger climate crisis, and.
Anne Marie Cammarato
You know the dynamics of those who believe it's happening and those who.
Anne Marie Cammarato
Don't believe it's happening.
Anne Marie Cammarato
And also their own personal demons.
Katherine Stewart
Wow, OK.
Anne Marie Cammarato
I guess that's a good way to start.
Katherine Stewart
Yeah, so so where did the inspiration for Hazel come from?
Anne Marie Cammarato
Well, many years ago, like maybe five years ago I read an article in the New York Times about an island that's not far from where I live called Tangier Island.
Anne Marie Cammarato
It's in the middle of the Chesapeake Bay and Tangier Island is sort of famous in this part of the world for a couple reasons.
Anne Marie Cammarato
One, because all the residents.
Anne Marie Cammarato
Of it are.
Anne Marie Cammarato
Direct descendants of a very particular group of people from Wales, so they speak this with this really interesting dialect that almost sounds British.
Anne Marie Cammarato
But beyond that, it's a Fisher.
Anne Marie Cammarato
It's a fisherman.
Anne Marie Cammarato
Island lot everybody who works there basically is supported.
Anne Marie Cammarato
By the industry of fishing.
Anne Marie Cammarato
And it is sinking.
Anne Marie Cammarato
It is sinking into the chest spybey quickly.
Anne Marie Cammarato
So quickly that.
Anne Marie Cammarato
Most of the people who live there have left.
Anne Marie Cammarato
And this article in the new.
Anne Marie Cammarato
York Times
Anne Marie Cammarato
Was really about a couple of families who are sort of digging in and they're in such denial.
Anne Marie Cammarato
About what's happening.
Anne Marie Cammarato
That they refused to leave, and they believe that somebody is going to help them and fix the problem, and we just found it fascinating 'cause they, you know they were.
Anne Marie Cammarato
Like being interviewed.
Anne Marie Cammarato
While standing in water up to their knees.
Anne Marie Cammarato
Well, yeah, saying like this isn't happening and and you know at the time they believed that the president would fix it for them and that everything was going to be OK and so that really got me thinking about denial and about.
Anne Marie Cammarato
You know the sort of state of the world and where we are and how people are dealing with it.
Anne Marie Cammarato
And I was also.
Anne Marie Cammarato
Reading lots of articles like this about communities on the Louisiana coast in Alaska that are.
Anne Marie Cammarato
Kind of having to being forced to up and move as a community because of what the climate is doing to their to their homes.
Anne Marie Cammarato
And I just kind of asked myself what that's doing to the psyche of people, and to our definition of home and stability and what's real and what's not and so.
Anne Marie Cammarato
It kind of just sparked that idea for me.
Katherine Stewart
Yeah, it's very interesting.
Katherine Stewart
So can you.
Katherine Stewart
You mentioned that sort of the.
Katherine Stewart
The family dynamics of this group of people who are living in this House that is.
Katherine Stewart
Persistently battered by weather.
Katherine Stewart
Can you talk a little bit more about the dynamics among those those family members and those characters?
Anne Marie Cammarato
Well, the play centers on the youngest daughter of this family.
Anne Marie Cammarato
There's two daughters, and the youngest daughter was a twin.
Anne Marie Cammarato
She has a twin brother who we don't see in the play because.
Anne Marie Cammarato
He made the decision to leave.
Anne Marie Cammarato
Quite a while ago, so the family is left with these two daughters and their mother and then their respective spouses and and the youngest daughter.
Anne Marie Cammarato
Spoiler Alert she discovers that she's pregnant and at the same time her mother is suffering from the throes of dementia and.
Anne Marie Cammarato
Or at least she thinks that's what's happening and so.
Anne Marie Cammarato
It's really for me that dynamics were about exploring how each of them is dealing each of these family members is dealing with a personal crisis in the midst of a larger crisis.
Anne Marie Cammarato
And what that forces them to face is what they believe is real.
Anne Marie Cammarato
What they believe is not real.
Anne Marie Cammarato
How much they keep from each other, what they do to prove their point and and also just how they're dealing with.
Anne Marie Cammarato
Denial about their mother's illness, about the pregnancy, about.
Anne Marie Cammarato
Each other about what happened to their younger brother.
Anne Marie Cammarato
All that stuff kind of comes to play and and who's got power and who doesn't?
Anne Marie Cammarato
I think it's also a big part of it.
Katherine Stewart
Yeah, it feels.
Katherine Stewart
At many times, like there's just sort of a giant question mark hanging over all of them.
Anne Marie Cammarato
Yeah, I think they're all confused about what to do and and you know they're so much reflected in what's happening in our country and I try not to write political plays that you.
Anne Marie Cammarato
Can't sort of help it these days.
Anne Marie Cammarato
But I just think you know, people are like digging into their points of view and.
Anne Marie Cammarato
They're ignoring facts and their.
Anne Marie Cammarato
You know trying to gain power by any means necessary, and that's true.
Anne Marie Cammarato
Kind of on both sides of things, and I think that's true with the Members of this family as well.
Katherine Stewart
Uhm, what kinds of research did you do in in the process of writing this play about weather or climate change or or that particular island?
Katherine Stewart
That was the inspiration or even families?
Anne Marie Cammarato
Yeah, well, I had.
Anne Marie Cammarato
I felt like when I first started I had to do all the research I could about like climate, refugees and communities that were really being impacted enough that you know the government was paying them to leave where they lived, which is kind of alluded to in in this play that the government at one time made an offer.
Anne Marie Cammarato
To move people to resettle them.
Anne Marie Cammarato
Uhm, so I did a lot of research about Tandra Island and about a couple other communities like I mentioned and then I started to think about.
Anne Marie Cammarato
Uhm, how dementia affects families because I really wanted to sort of see.
Anne Marie Cammarato
And I know from my own personal experience what that feels like, but I wanted to sort of see.
Anne Marie Cammarato
How different people in one family can interpret what dementia looks and feels like?
Anne Marie Cammarato
So that was something I spent some time looking at.
Anne Marie Cammarato
I also did some research on this sort of.
Anne Marie Cammarato
Ideas of what feels nostalgic and what feels like home to people and why.
Anne Marie Cammarato
People sort of cling to that.
Anne Marie Cammarato
That notion was really intriguing to me.
Anne Marie Cammarato
I had to do research on whether.
Anne Marie Cammarato
How it affects buildings and people?
Anne Marie Cammarato
All those sorts of.
Anne Marie Cammarato
Things I mean, I I'm one of those writers who can spend a lot of time going down a research rabbit hole.
Anne Marie Cammarato
So one thing we kind of lead to another would be lead to another and I would read, you know, an article about this family in Louisiana that refused to leave their home and then they would.
Anne Marie Cammarato
Somebody would be quoted saying something.
Anne Marie Cammarato
About nostalgia and holding on to their past and.
Anne Marie Cammarato
I was like.
Anne Marie Cammarato
Oh well, let's research what that feels like, you know, and eventually I had to just sort of.
Anne Marie Cammarato
Put a hold on it.
Anne Marie Cammarato
It's kind of getting.
Anne Marie Cammarato
In the way of writing, but it actually informed a lot of, you know, a lot of what people say in this play, and a lot of what people do in this play is rooted.
Anne Marie Cammarato
In fact, is rooted in stuff that is happening.
Anne Marie Cammarato
Uhm, not only in the United States, but like worldwide.
Katherine Stewart
Yeah, absolutely.
Katherine Stewart
So the weather is in a lot of ways another character in this story, and it acts upon this house in this family in.
Katherine Stewart
Some dramatic ways at times, and I'm wondering, especially since you're also a director when you were writing this.
Katherine Stewart
How did you?
Katherine Stewart
Envision the weather as a character and the weather events being.
Katherine Stewart
Being put on stage.
Anne Marie Cammarato
Well I yeah.
Anne Marie Cammarato
One thing I always tell my students.
Anne Marie Cammarato
As a writer who embraces theatricality a lot, you know.
Anne Marie Cammarato
As much as possible.
Anne Marie Cammarato
Is to just write the impossible.
Anne Marie Cammarato
It's not your problem, someone else will fix.
Anne Marie Cammarato
It because I have.
Anne Marie Cammarato
A lot of students who are sort of afraid to write.
Anne Marie Cammarato
You know that a person flies, for example, and I'm like if that person has to fly, they have to fly.
Anne Marie Cammarato
That's not your job to figure out how that happens.
Anne Marie Cammarato
So that said, I like to throw into my plays the impossible if it's needed, and I felt like for this play it was we have to understand the constant battering of the weather in this play.
Anne Marie Cammarato
It's it's a.
Anne Marie Cammarato
It's a soundtrack.
Anne Marie Cammarato
To underneath what everybody saying, but it's also, as you said, kind of another character and not in an abstract way like in.
Anne Marie Cammarato
A very literal way.
Anne Marie Cammarato
I also I I also I tell this story a lot.
Anne Marie Cammarato
I my husband is a technical director and a.
Anne Marie Cammarato
Set designer and.
Anne Marie Cammarato
So his job is to kind of figure out those challenges.
Anne Marie Cammarato
And I know when I spoke with him about it, I was like I want to, you know, put a hurricane on stage basically and he was like, oh OK.
Anne Marie Cammarato
Not to challenge for someone.
Anne Marie Cammarato
And you know, I mean the truth of.
Anne Marie Cammarato
It is the.
Anne Marie Cammarato
Play as a director.
Anne Marie Cammarato
I can imagine the play being produced a number of ways.
Anne Marie Cammarato
You can do it very literally and you can have lots of rain and wind and sound and things you know getting hit by a hurricane or.
Anne Marie Cammarato
Or you could do it somewhat abstractly.
Anne Marie Cammarato
I think they both ways have an impact, because I think they both mean something, but.
Anne Marie Cammarato
If somebody had asked me recently if I imagined the weather as sort of an abstract idea and I didn't, it's it is actual weather that is actually happening.
Anne Marie Cammarato
That's sort of the point of the play.
Anne Marie Cammarato
For me, but but I do think that it does represent something larger at the same time, so so I you know, it needs to be there just how it's done is really, it's really not my problem.
OK.
Anne Marie Cammarato
And I I, I'm excited.
Anne Marie Cammarato
To see how anybody would handle.
Anne Marie Cammarato
It I I don't.
Anne Marie Cammarato
Know like you know I my husband, read the latest draft and he he said, you know, there's a couple ways that could be done and he sort of talked me through.
Anne Marie Cammarato
Them and I.
Anne Marie Cammarato
Was like great.
Anne Marie Cammarato
Any of those work, so yeah.
Anne Marie Cammarato
Not my problem.
Katherine Stewart
I love it.
Katherine Stewart
I think it's going to be really interesting.
Katherine Stewart
I know the.
Katherine Stewart
Designers are excited, so good good.
Anne Marie Cammarato
Challenge right fun challenge.
Anne Marie Cammarato
To have to create that kind of spectacle.
Anne Marie Cammarato
Well, and I also think that's important, 'cause I think a lot of times I know this is true with my students.
Anne Marie Cammarato
They come, they come to college and they.
Anne Marie Cammarato
Their experience with theater is musicals, which are big and theatrical and full of spectacle.
Anne Marie Cammarato
And they go and they see a straight play.
Anne Marie Cammarato
And they're like it's boring.
Anne Marie Cammarato
It's just people sitting around talking to each other.
Anne Marie Cammarato
Uhm which?
Anne Marie Cammarato
Is important and is a reflection of the world around us.
Anne Marie Cammarato
But I also think there's room in place for spectacle and we're kind of shooting ourselves as an as an art form if we don't take advantage of that.
Anne Marie Cammarato
So I always encourage my students to add a moment at least one moment of theatricality.
Anne Marie Cammarato
To their plays.
Anne Marie Cammarato
And I think you could argue that that moment for this play runs throughout.
Katherine Stewart
So you mentioned your latest draft.
Katherine Stewart
I think when when the residency was initially created, the idea was that there would be sort of an ongoing engagement with our students to get them involved in the creation of your play.
Katherine Stewart
How, how, and that's probably very different from how it was first envisioned because of the ongoing pandemic.
Katherine Stewart
But how have students?
Katherine Stewart
Been involved in the writing of.
Katherine Stewart
This play if at all.
Anne Marie Cammarato
They have been up, so when I first got to Oxford, UM, I met with some students who were about because I was there in the summer time.
Anne Marie Cammarato
2019 Yeah yeah yeah and they were about to start in the fall in a dramaturgy class so they got a draft of this play. We talked a little bit about it in person then throughout that semester they read another play of
Anne Marie Cammarato
Mine and this one.
Anne Marie Cammarato
They did a bunch of research for me.
Anne Marie Cammarato
We met over zoom.
Anne Marie Cammarato
We talked about.
Anne Marie Cammarato
About some of the things that maybe didn't make sense for them, so like they gave me really helpful feedback and notes and set out to play.
Anne Marie Cammarato
And then we they did a ton ton ton of research for me.
Anne Marie Cammarato
Like I said, I get to a point with my research part I have.
Anne Marie Cammarato
Like kind of stopped because I could just do that.
Anne Marie Cammarato
Forever, so it was really helpful to have students kind of take that on and they.
Anne Marie Cammarato
I mean, I have like an entire folder on my computer, just filled with articles and pictures and and really beautiful stuff.
Anne Marie Cammarato
Rich, rich research that they did for me.
Anne Marie Cammarato
Then I've been in touch continuously with Peter Wood who's directing it there.
Anne Marie Cammarato
At Ole Miss.
Anne Marie Cammarato
And he's been helpful and giving me feedback.
Anne Marie Cammarato
And then he has come.
Anne Marie Cammarato
Brought he brought one of those dramaturgy students on as a student dramaturg for the production and she sent me some more questions.
Anne Marie Cammarato
Just some like probing dramaturgical questions that have been really helpful in guiding my thoughts.
Anne Marie Cammarato
As I've been rewriting, so while it hasn't been maybe as hands on as we all would have liked, you know we did.
Anne Marie Cammarato
We've done it.
Anne Marie Cammarato
We've done what we could and and.
Anne Marie Cammarato
And it's been, you know, great to have.
Anne Marie Cammarato
Extra eyes, extra thoughts, extra opinions, extra research it's.
Anne Marie Cammarato
Been great, yeah.
Katherine Stewart
Yeah wonderful, yeah again I I know that student involvement wasn't.
Katherine Stewart
Component and I'm glad we were able to pull.
Katherine Stewart
It off.
Katherine Stewart
Yeah, I know and I am under different circumstances.
Anne Marie Cammarato
Oh my gosh.
Anne Marie Cammarato
I mean it's been like I said, it's been so helpful and I'm so grateful because I mean I work with students every day and I love.
Anne Marie Cammarato
The sort of fresh take they have on.
Anne Marie Cammarato
The work that I do.
Anne Marie Cammarato
It's just so incredibly helpful and so to be able to do what we could despite the distance and the pandemic and everything, it's been really great.
Katherine Stewart
Well, so since it's come up a couple of times, I want to backtrack a little bit and talk about the residency that you did here.
Katherine Stewart
So you were.
Katherine Stewart
Here for about a month I think what was that experience like?
Anne Marie Cammarato
It was great.
Anne Marie Cammarato
You know it was quiet.
Anne Marie Cammarato
And it was which I know.
Anne Marie Cammarato
It just sounds.
Anne Marie Cammarato
Sort of silly, but you have no idea how valuable that client.
Anne Marie Cammarato
Is for me.
Anne Marie Cammarato
Like I said, I have, you know.
Anne Marie Cammarato
I have a pretty busy person I teach.
Anne Marie Cammarato
Pretty much full time and I have to commute into the city to do it.
Anne Marie Cammarato
And then I'm a mom of a kid who's applying to colleges and I have no other projects that I'm working on and so to find the solitude to sit down.
Anne Marie Cammarato
And just focus on one thing for any length of time.
Anne Marie Cammarato
It's just so rare, so the fact that I had like this little apartment all to myself.
Anne Marie Cammarato
That I could.
Anne Marie Cammarato
I had just hours and hours of quiet time to think and reflect and write and.
Anne Marie Cammarato
You know it was.
Anne Marie Cammarato
It was great.
Anne Marie Cammarato
I also just loved being in a new location.
Anne Marie Cammarato
There's something about being in a new place that makes you inspired and gets your creative juices moving and to be in a town that, well, college Town first of all but.
Anne Marie Cammarato
Also, like a town with a rich.
Anne Marie Cammarato
Literary history food.
Anne Marie Cammarato
You know it was just.
Anne Marie Cammarato
It was wonderful I I felt so welcomed.
Anne Marie Cammarato
I don't think I, I mean.
Anne Marie Cammarato
That southern hospitality.
Anne Marie Cammarato
Is a thing right and that that is no joke?
Anne Marie Cammarato
It was so I tell that everybody.
Anne Marie Cammarato
I'm like, you know it's the most hospitable place in in the whole world and and it's just like the perfect location to go and hold up in an apartment in right.
Anne Marie Cammarato
And a lot happened for me for the play in those four weeks I mean.
Anne Marie Cammarato
You know I could.
Anne Marie Cammarato
The play had been through one draft before I applied for the for the for the residency, and that's I had to submit it in order to, you know, to apply and the script changed significantly.
Anne Marie Cammarato
After the residency like that, it made a huge difference too.
Anne Marie Cammarato
Kind of everything about the way the play operates, so a lot for me came out of it.
Anne Marie Cammarato
Uhm, you know writing wise, but also just personally it was.
Anne Marie Cammarato
It was such a lovely experience.
Katherine Stewart
Wonderful, well and now it is coming full circle.
Katherine Stewart
Finally we are going to again world premiere display in.
Katherine Stewart
Just a few weeks.
Katherine Stewart
Actually a lot sooner I think.
Katherine Stewart
Than people are ready for.
Katherine Stewart
At this moment it feels really, really soon.
Katherine Stewart
What is what's the most exciting thing I guess about?
Katherine Stewart
About seeing everything come together.
Anne Marie Cammarato
Oh gosh, well, you know I.
Anne Marie Cammarato
The thing about writing plays is that it's a very solitairy action.
Anne Marie Cammarato
I mean, it's a it's an art form where you sit in a room and you just write by yourself.
Anne Marie Cammarato
And I am I am a.
Anne Marie Cammarato
Really collaborative artist.
Anne Marie Cammarato
So my favorite part of writing plays is like handing it.
Anne Marie Cammarato
Over to other people.
Anne Marie Cammarato
And being done with the solitude, but to be in a room.
Anne Marie Cammarato
And of course I won't necessarily be in the room with everybody there.
Anne Marie Cammarato
But I'll be zooming in.
Anne Marie Cammarato
And hearing the words aloud for the first time, you know.
Anne Marie Cammarato
I mean, I, I have had readings of this place, so I have heard it.
Anne Marie Cammarato
But I haven't heard it in its most recent.
Anne Marie Cammarato
Form so to hear it aloud and to see how it works.
Anne Marie Cammarato
It's just like it's just thrilling.
Anne Marie Cammarato
It's it's why I do it.
Anne Marie Cammarato
And and.
Anne Marie Cammarato
I'm most excited about that, I think.
Anne Marie Cammarato
Yeah, I'm excited to to see students explore.
Anne Marie Cammarato
It makes sense of it.
Anne Marie Cammarato
Uhm, you know, pour their imaginations into it.
Anne Marie Cammarato
That's again, that's like, uh, I mean, that's the teacher in me, but I just love.
Anne Marie Cammarato
Watching students interpret texts, so I'm excited about that too.
Katherine Stewart
Well, we are so excited.
Katherine Stewart
This is finally happening 'cause we expected to be doing all of this last year.
Anne Marie Cammarato
I know I.
Katherine Stewart
Or two or maybe two years ago.
Katherine Stewart
It's hard time has come, so it has.
Katherine Stewart
Well, thank you so much Annemarie, it's been wonderful visiting with you.
Anne Marie Cammarato
Thank you dear.
Katherine Stewart
I really again appreciate you taking the time and I hope that all of the stars will align and viruses will not align.
Katherine Stewart
And that we will be able to see you in person for the.
Anne Marie Cammarato
Premiere, yes, I hope so too.
Anne Marie Cammarato
I plan to be there as best I can.
Katherine Stewart
Wonderful, wonderful, wonderful, wonderful.
Anne Marie Cammarato
Alright, Catherine, it's so good to see.
Katherine Stewart
You I know it's so good to see you too.
Katherine Stewart
Thank you so much and we'll talk again soon I hope.
Anne Marie Cammarato
You're welcome.
Anne Marie Cammarato
OK thanks bye.
Katherine Stewart
Once again, that was playing right and inaugural recipient of our department's emerging Women Playwriting Fellowship and Marie Camerato. Her new play Hazel, opens in a world premiere February 25th and runs through March 6th and Meek Auditorium. Do check out the show notes For more information about Annemarie the fellowship.
Katherine Stewart
The play and how you can get tickets until next time.
Katherine Stewart
This is Stage & Screen.